{"id":19759,"date":"2024-02-13T18:30:53","date_gmt":"2024-02-13T15:30:53","guid":{"rendered":"https:\/\/gulmangroup.com\/?p=19759"},"modified":"2026-01-29T14:46:13","modified_gmt":"2026-01-29T11:46:13","slug":"13-subat-kitap-kultur-yasam-dergisi","status":"publish","type":"post","link":"https:\/\/gulmangroup.com\/fr\/13-subat-kitap-kultur-yasam-dergisi\/","title":{"rendered":"2024 \u015eubat, Kitap K\u00fclt\u00fcr Ya\u015fam Dergisi"},"content":{"rendered":"
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SANAT HEP B\u0130R BA\u015eKA KAPIYI A\u00c7AN YOLCULUKTUR<\/strong><\/div>\n
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Evvelden Tepeba\u015f\u0131 ‘nda Etap Oteli vard\u0131 ve bu o telin arkas\u0131ndaki sokaklarda \u0130stanbul’un en me\u015fhur antika d\u00fckk\u00e2nlar\u0131 s\u0131ralan\u0131yordu. Hat\u0131rl\u0131yorum, i\u015fyerinde \u00f6\u011flen yeme\u011fini yedikten sonraher vakit buldu\u011fumda bu d\u00fckk\u00e2nlara girer \u00e7\u0131kar, antikerlerle sohbet eder, i\u00e7eride te\u015fhir edilen objeleri incelerdim. Zamanlaher hafta eve yeni birpar\u00e7ayla gider olmu\u015ftum. G\u00fcm\u00fc\u015f \u015famdanlar, tombaklar, ipek hal\u0131lar, sedefli aynalar, sehpalar, \u00e7ekmeceler…1 benim i\u00e7in en k\u0131ymetli ka\u011f\u0131t, m\u00fcze bileti; en g\u00fczel rota, sanat k\u00f6yleri Kemal G\u00fclman’m uzun i\u015f ya\u015fam\u0131na vak\u0131f oldu\u011funuzda, \u0130stanbul’ay\u00f6nelik keyif veren bir yolculu\u011fu da tamamlad\u0131\u011f\u0131n\u0131za emin olabilirsiniz. Sanatsal ad\u0131mlar\u0131 i\u00e7in de ayn\u0131 \u015fey ge\u00e7erli. Hali\u00e7 k\u0131y\u0131s\u0131n\u0131n g\u00fczel semti Balat’ta \u00e7ocukluk \u00e7a\u011f\u0131nda ba\u015flayan i\u015f yolculu\u011funda Tahtakale, Ca\u011falo\u011flu, \u015ei\u015fhane, Tepeba\u015f\u0131’na uzan\u0131rken, Bo\u011fazi\u00e7i’ne, Bebek’ten, Tarabya’ya, \u00dcsk\u00fcdar’a, Caddebostan’a, \u0130stanbul’un yeni geli\u015fim alanlar\u0131na da u\u011fruyorsunuz. Sanat yolculu\u011fu i\u00e7in de esin kayna\u011f\u0131n\u0131n \u0130stanbul ya\u015fanm\u0131\u015fl\u0131\u011f\u0131 oldu\u011fundan \u015f\u00fcpheniz olmas\u0131n. G\u00fclman’\u0131n sanat sevdas\u0131, Tepeba\u015f\u0131 \u00e7evresindeki antikac\u0131lara d\u00f6n\u00fck yolculuklar\u0131yla ba\u015fl\u0131yor.<\/div>\n
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MUSTAFA KEMAL \u00c7OLAK G\u00dcLMAN Group’un kurucusu Kemal G\u00fclman’m Tarabya s\u0131rtlar\u0131mdaki evi ve bah\u00e7esi y\u0131llanm\u0131\u015f bir a\u00e7\u0131k hava m\u00fczesi haliyle kar\u015f\u0131l\u0131yor misafirlerini. Geni\u015f araziye \u00f6zenle yerle\u015ftirilmi\u015f heykellerin her biri \u00e2deta evin sahipleri. Hangisinin ba\u015f\u0131nda dursan\u0131z, ba\u015fka sohbetler a\u00e7\u0131l\u0131yor. Konutun i\u00e7inde de manzara ayn\u0131. Her bir k\u00f6\u015feden duvarda as\u0131l\u0131 ‘ho\u015f geldiniz’ diyen tablolar, g\u00fcl\u00fcmsemenize e\u015flik ediyor. T\u00fcm bu sanat korosunun olu\u015fumuna ve Tarabya’y\u0131 yurt edinmelerine vesile olan Kemal G\u00fclman, ya\u015fam\u0131n\u0131n b\u00fcy\u00fck b\u00f6l\u00fcm\u00fcn\u00fc bu e\u015fsiz ortamda ge\u00e7iriyor. Sanatla me\u015fgul olman\u0131n, \u00fcreten veya takip eden fark etmez, i\u00e7 i\u00e7e bulunman\u0131n ne anlama geldi\u011fini kendisinden dinleyelim: “Yarat\u0131c\u0131 olmak herkese nasip olan bir yeti de\u011fildir. Sanat\u00e7\u0131, ona bah\u015fedilmi\u015f yarat\u0131c\u0131l\u0131kla eser verir. Onun eserine bakan bizler ise hayat\u0131m\u0131za bir yenilik, bir bak\u0131\u015f a\u00e7\u0131s\u0131, bir farkl\u0131l\u0131k ta\u015f\u0131r\u0131z. Bu, bence hele de zor zamanlarda insana sunulmu\u015f b\u00fcy\u00fck bir l\u00fckst\u00fcr. \u0130yi bir me\u015fguliyettir. Gidip olmasan\u0131z da sanat eserlerine bakarak, eserleri anlamaya \u00e7al\u0131\u015farak kendinize ba\u015fka kap\u0131lar a\u00e7ars\u0131n\u0131z. Mutlu olursunuz. Benim i\u00e7in sanat, mutluluk sebebidir, kafama ve ruhuma iyi gelir. Umuttur. Bir iyilik halidir. \u0130nsan\u0131 daha umutlu, daha iyimser yapar. Bunun zenginlikle \u00e7ok ilgisi oldu\u011funu da d\u00fc\u015f\u00fcnmem. Ke\u015fke daha \u00f6\u011frencilik y\u0131llar\u0131ndan itibaren gen\u00e7lerimize sanat\u0131n bu pozitif insana iyi gelen taraflar\u0131n\u0131 daha fazla anlat\u0131labilsek…” 16 ya\u015f\u0131nda Tahtakale’de bir d\u0131\u015f ticaret \u015firketinde tezg\u00e2htar olarak ba\u015flayan i\u015f ya\u015fam\u0131nda, 19 ya\u015f\u0131ndayken kendi kanatlar\u0131yla u\u00e7maya karar veren Kemal G\u00fclman, tam 72 y\u0131ld\u0131r i\u00e7 ve d\u0131\u015f ticaretin ve sanayinin i\u00e7inde. Pek \u00e7ok alana el atm\u0131\u015f bu uzun zaman s\u00fcrecinde. En \u00e7ok da T\u00fcrkiye’de yerli sanayiinin olu\u015fumu s\u0131ras\u0131nda ve tabii ki \u015fimdi de ihtiya\u00e7 olan ara mamul ithalat\u0131yla ilgili g\u00fcmr\u00fck mevzuat\u0131n\u0131n olu\u015fmas\u0131nda sihirli fikirler ve bilgiler ortaya koyan isim olarak an\u0131l\u0131yor i\u015f ya\u015fam\u0131nda. Her g\u00fcn birka\u00e7 g\u00fcnl\u00fck gazeteyi sat\u0131r sat\u0131r okuyan, d\u00fczenli olarak teknoloji, ekonomi ve sanat yay\u0131nlar\u0131n\u0131, ak\u0131mlar\u0131n\u0131 takip eden G\u00fclman “Zamanla klasikten \u00e7a\u011fda\u015f sanata, resimden heykele y\u00f6neldim” diyor ve heyecanla anlat\u0131yor sanata olan merak\u0131n\u0131. Yurti\u00e7i ve yurtd\u0131\u015f\u0131 sanat fuarlar\u0131, at\u00f6lye ziyaretleri, bilhassa G\u00fcney Fransa’n\u0131n ikonik sanat k\u00f6ylerindeki galeriler, antikac\u0131lar, onun sanat rotas\u0131n\u0131n de\u011fi\u015fmez duraklar\u0131. Biz filmi geriye sar\u0131p, “Nas\u0131l ba\u015flad\u0131 ?”diye soruyoruz. “Hi\u00e7bir kar\u015f\u0131la\u015fma bo\u015funa de\u011fildir, herkesten \u00f6\u011frenecek bir \u015fey vard\u0131r” diye ba\u015fl\u0131yor ve s\u00f6z\u00fc, yak\u0131n zamanda kaybetti\u011fi dostu ve eski i\u015f orta\u011f\u0131 \u0130talyan Kont Sibaldi’ye getiriyor. Ger\u00e7i anla\u015f\u0131lan, Kemal Bey s\u00f6z\u00fcn\u00fc etti\u011fi Sibaldi’den bir de\u011fil birden fazla \u015fey \u00f6\u011frenmi\u015f. \u00c2deta yeniden ya\u015fayarak anlat\u0131yor o g\u00fcnleri Kemal G\u00fclman… 1980’li y\u0131llarda Dario Sibaldi ad\u0131nda bir i\u015f insan\u0131n\u0131n VIP Casa adl\u0131 batarya markas\u0131n\u0131n T\u00fcrkiye m\u00fcmessilli\u011fini alm\u0131\u015f. Aralar\u0131nda ticari ili\u015fkinin yan\u0131 s\u0131ra g\u00fczelde bir dostluk olu\u015fmu\u015f. Sibaldi, k\u00f6kl\u00fc bir aileden gelen, kont unvanl\u0131, olduk\u00e7a \u015f\u0131k ve zarif bir insanm\u0131\u015f. Birka\u00e7 kez Kemal G\u00fclman’\u0131 \u0130talya’da a\u011f\u0131rlam\u0131\u015f. Bir yaz ay\u0131nda, bu kez G\u00fclman, Sibaldi’yi T\u00fcrkiye’ye davet etmi\u015f. Sibaldi, “Birlikte g\u00fcneye inersek gelirim” demi\u015f ve Bodrum’u g\u00f6rmek istedi\u011fini s\u00f6ylemi\u015f. O seyahatte Kemal G\u00fclman’a, Bodrum’un ileride \u00e7ok de\u011ferlenece\u011fini, muhakkak bu b\u00f6lgeden arsa yat\u0131r\u0131m\u0131 yapmas\u0131 gerekti\u011fini sal\u0131k vermi\u015f. Kemal G\u00fclman, Sibaldi’nin tavsiyesine uyarak, Bodrum’da arsa almaya ba\u015flay\u0131nca,<\/div>\n
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T dekoratif eski eserlerden, resim ve farkl\u0131 dallara uzand\u0131<\/strong><\/div>\n
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Kemal G\u00fclman, 601\u0131 ya\u015flar\u0131n ba\u015flar\u0131nda tutkuya d\u00f6n\u00fc\u015fen sanat eseri sahibi olma sevdas\u0131yla kendisini Tepeba\u015f\u0131’ndaki \u015firket binas\u0131ndan s\u0131kl\u0131kla sokaklara at\u0131yor. Semtindeki antikac\u0131lar\u0131n gediklisi oluyor. Hemen herkes \u00f6\u011flenleri yeme\u011fe \u00e7\u0131karken, o antika d\u00fckk\u00e2nlar\u0131na u\u011fruyor. Dostlar\u0131yla ya bir antikac\u0131 d\u00f6n\u00fc\u015f\u00fc elinde bir objeyle ya da h\u0131zl\u0131 ad\u0131mlarla yollara d\u00fc\u015fm\u00fc\u015fken kar\u015f\u0131la\u015fmalar\u0131n\u0131 g\u00fclerek hat\u0131rl\u0131yor. Ya\u015fam \u00f6yk\u00fcs\u00fcn\u00fc ba\u015far\u0131 ile anlatan, de\u011ferlendirmesini Hakan G\u00fclda\u011f’\u0131n yaz\u0131s\u0131nda okuyaca\u011f\u0131n\u0131z \u0130\u015f’ten Hikayeler\/ Tecr\u00fcbelerim, Tavsiyelerim kitab\u0131nda o g\u00fcnlere ili\u015fkin \u015fu c\u00fcmleler var: “Dekoratif eski eserlerle ba\u015flayan koleksiyonerlik maceram, zaman i\u00e7inde ba\u015fta resim olmak \u00fczere, farkl\u0131 yarat\u0131m alanlar\u0131ndaki eserleri toplamak suretiyle yeni bir bi\u00e7im ald\u0131. 1990 y\u0131l\u0131n\u0131n son g\u00fcnlerinde Ma\u00e7ka Mezat Antikac\u0131l\u0131k \u015firketinin d\u00fczenledi\u011fi m\u00fczayedede, Osman Hamdi Bey imzal\u0131 ‘\u00c7i\u00e7ek Yeti\u015ftiren K\u0131z’ isimli, tuval \u00fczerine ya\u011fl\u0131boya tabloyu o g\u00fcn i\u00e7in \u00f6nemli say\u0131labilecek bir bedelle sat\u0131n ald\u0131\u011f\u0131m\u0131 s\u00f6yleyebilirim. Osman Hamdi ile a\u00e7\u0131lan kap\u0131dan i\u00e7eriye ilerleyen y\u0131llarda Mahmut C\u00fcda, Cevat Dereli, De Mango, Civanyan, Melling gibi sanat\u00e7\u0131lar da girdi.” G\u00fclman Group’un sonradan gayrimenkul sekt\u00f6r\u00fcndeki yat\u0131r\u0131mlar\u0131na y\u00f6n verecek ilk vizyon filizlenmi\u015f. Bu, elbette \u00e7ok k\u0131ymetli bir tavsiye ancak anla\u015f\u0131l\u0131yor ki Sibaldi, Kemal G\u00fclman i\u00e7in bundan \u00e7ok daha fazlas\u0131: “Kont Sibaldi’ye duac\u0131y\u0131m. Ondan hayatla ilgili \u00e7ok \u015fey \u00f6\u011frendim. Onu tan\u0131d\u0131\u011f\u0131mda paray\u0131 nas\u0131l kazanaca\u011f\u0131m\u0131 \u00f6\u011frenmi\u015ftim ama zannederim paray\u0131 nas\u0131l harcayaca\u011f\u0131ma dair d\u00fc\u015f\u00fcncelerim onu tan\u0131d\u0131ktan sonra epeyce geli\u015fti.”<\/div>\n
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B\u0130R BA\u015eKADIR BEYO\u011eLU <\/strong><\/div>\n
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KEMAL G\u00fclman’\u0131n antikalara, ge\u00e7mi\u015fi bug\u00fcne ta\u015f\u0131yan objelere ve pek tabii sanat eserlerine merak\u0131 Sibaldi’yi tan\u0131d\u0131ktan sonra iyiden iyiye artm\u0131\u015f. Ayn\u0131 d\u00f6nemde, biraz tesad\u00fcfler biraz da tercih diyelim, G\u00fclman Group 30 y\u0131ll\u0131k Ca\u011falo\u011flu devrini kapat\u0131p yeni ofisini Tepeba\u015f\u0131’ndaki Art Nouveau tarz\u0131 binaya ta\u015f\u0131m\u0131\u015f. Tepeba\u015f\u0131’nda, B\u00fcy\u00fck Londra Oteli’nin de mimar\u0131 olan \u0130talyan Guglielmo Semprini taraf\u0131ndan in\u015fa edilmi\u015f olan binan\u0131n 1904 tarihli oldu\u011funu hat\u0131rlatal\u0131m ve devam edelim. \u015eimdiki \u0130stanbul Ara\u015ft\u0131rmalar\u0131 Enstit\u00fcs\u00fc’n\u00fcn oldu\u011fu bu \u015f\u0131k binaya ge\u00e7mek, G\u00fclman’\u0131n mek\u00e2n tasar\u0131mlar\u0131na sanatsal estetik katma aray\u0131\u015flar\u0131na y\u00f6n vermi\u015f. Bak\u0131n o g\u00fcnleri nas\u0131l anlat\u0131yor: “Evvelden Tepeba\u015f\u0131’nda Etap Oteli vard\u0131 ve bu otelin arkas\u0131ndaki sokaklarda \u0130stanbul’un en me\u015fhur antika d\u00fckk\u00e2nlar\u0131 s\u0131ralan\u0131yordu. Hat\u0131rl\u0131yorum, i\u015fyerinde \u00f6\u011flen yeme\u011fini yedikten sonra her vakit buldu\u011fumda bu d\u00fckk\u00e2nlara girer \u00e7\u0131kar, antikerlerle sohbet eder, i\u00e7eride te\u015fhir edilen objeleri incelerdim. Zamanla her hafta eve yeni bir par\u00e7ayla gider olmu\u015ftum. G\u00fcm\u00fc\u015f \u015famdanlar, tombaklar, ipek hal\u0131lar, sedefli aynalar, sehpalar, \u00e7ekmeceler… Bu merak\u0131m ilerleyen y\u0131llarda beni T\u00fcrk ve d\u00fcnya ressamlar\u0131n\u0131n, heykelt\u0131ra\u015flar\u0131n\u0131n eserlerinden olu\u015fan bir koleksiyona sahip olmaya kadar g\u00f6t\u00fcrd\u00fc…” Kemal G\u00fclman, ya\u015fad\u0131\u011f\u0131 mek\u00e2nlara sanat eserleriyle yepyeni bir kimlik kazand\u0131rmay\u0131 hi\u00e7 bitmeyenbir heyecan olarak nitelendiriyor. Onun i\u00e7in ofis ya da ev fark etmiyor; ad\u0131 kendisiyle an\u0131lacak olan t\u00fcm alanlar\u0131n duvarlar\u0131, odalar\u0131her birini \u00f6zenle se\u00e7ti\u011fi eserlerle farkl\u0131bir kimlik kazan\u0131yor. Kendisini bir koleksiyoner olarak tan\u0131mlamad\u0131\u011f\u0131n\u0131 s\u00f6ylerken samimi: “Benim se\u00e7ti\u011fim eserler tamamen kendi be\u011fenime g\u00f6redir. \u015eu sanat\u00e7\u0131 bu sanat\u00e7\u0131 olsun diye hareket etmem. G\u00f6z\u00fcm\u00fcnbe\u011fendi\u011fi, koymay\u0131 d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm mek\u00e2na de\u011fer kataca\u011f\u0131na inand\u0131\u011f\u0131m isimsiz bir par\u00e7ay\u0131 da \u00e7ok \u00fcnl\u00fc bir sanat\u00e7\u0131n\u0131n standart d\u0131\u015f\u0131, belki kendisinin dahi emin olmad\u0131\u011f\u0131 bir eserini de benim evimin ba\u015f k\u00f6\u015fesinde yan yana g\u00f6rebilirsiniz… Benim i\u00e7in eser se\u00e7iminde, par\u00e7alar\u0131n z\u0131tl\u0131klar\u0131 ve benzerlikleriyle birbirlerine uyumla e\u015flik etmesi esast\u0131r.”<\/div>\n
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ANT\u0130KAPAZARLARINDAK\u0130 S\u00dcRPR\u0130Z E\u015eYALAR<\/strong><\/div>\n
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Yurtd\u0131\u015f\u0131ndaki antika d\u00fckk\u00e2nlar\u0131n\u0131n, \u00f6zellikle de yazlar\u0131 ya\u015fad\u0131\u011f\u0131 Monaco’ya yak\u0131n Cote d’Azur kentindeki antika pazarlar\u0131n\u0131n m\u00fcdavimi olan Kemal G\u00fclman, buralarda yoluna \u00e7\u0131kan s\u00fcrpriz objelerin cazibesini hi\u00e7bir \u015feye de\u011fi\u015fmedi\u011fini s\u00f6yl\u00fcyor ve “Bir sanat\u00e7\u0131n\u0131n elinden \u00e7\u0131kan sanat eserleri elbette \u00e7ok k\u0131ymetlidir. Ancak objeler de beni en az resimler, heykeller kadar heyecanland\u0131r\u0131yor. Bir d\u00f6nem belki binlerce insan\u0131n sahip olmak i\u00e7in hayalini kurdu\u011fu, ancak Avrupal\u0131 \u015fansl\u0131 se\u00e7kinlerin ya da k\u0131rsal vars\u0131llar\u0131n sahip olabildi\u011fi bir makine ya da s\u0131ra d\u0131\u015f\u0131 formda bir g\u00fcm\u00fc\u015f ev e\u015fyas\u0131, benim i\u00e7in b\u00fcy\u00fck bir maceran\u0131n ba\u015flang\u0131c\u0131 olabiliyor” diyor. D\u00f6nem d\u00f6nem baz\u0131 t\u00fcr objelere merak sald\u0131\u011f\u0131n\u0131 ve tek bir alana odakland\u0131\u011f\u0131m vurgulayan G\u00fclman, \u015f\u00f6yle devam ediyor: “Mesela masa saati diyelim, onun de\u011fi\u015fik varyasyonlar\u0131n\u0131 bulabilmek ya\u015fam\u0131mdaki \u00f6nemli hedeflerden biri haline gelebiliyor.” Kemal G\u00fclman’\u0131n sanata olan ilgisinde mimari her zaman \u00f6nde gelen bir disiplin olmu\u015f. Buna kar\u015f\u0131l\u0131k G\u00fclman Group, 70 y\u0131ll\u0131k tarihinde gayrimenkul geli\u015ftiricisi ve arsa yat\u0131r\u0131mc\u0131s\u0131 kimliklerinin \u00f6tesine hi\u00e7 ge\u00e7memi\u015f, hi\u00e7bir d\u00f6nemde m\u00fcteahhitlik yapmam\u0131\u015f \u00f6rne\u011fin. Kemal G\u00fclman i\u00e7in bunun tekbir istisnas\u0131 var; o da bug\u00fcn oturdu\u011fu, Tarabya’daki k\u00f6\u015fk. \u0130ki bu\u00e7uk d\u00f6n\u00fcml\u00fck arazide kurulu evin in\u015fas\u0131nda her santimetrekare ile kendisi ilgilenmi\u015f. \u0130n\u015faat\u0131 tamamland\u0131ktan sonra uzun y\u0131llar kiral\u0131k olarak de\u011ferlendirilen k\u00f6\u015fk; \u015fimdilerde Kemal G\u00fclman’\u0131n gayretleriyle her k\u00f6\u015fesinde sanat kokan bir yuvaya d\u00f6n\u00fc\u015fm\u00fc\u015f. “Yanl\u0131\u015f anla\u015f\u0131ls\u0131n istemem, hi\u00e7bir zaman okulunu okumad\u0131\u011f\u0131m bir i\u015fin uzmanl\u0131\u011f\u0131na soyunmad\u0131m. Ama bir alan ilgimi \u00e7ekiyorsa, o alan\u0131 kavrayabilmek, \u00f6\u011frenebilmek i\u00e7in \u00e7ok okudum, \u00e7ok yay\u0131n takip ettim, i\u015fin uzmanlar\u0131n\u0131n, ustalar\u0131n\u0131n g\u00f6r\u00fc\u015flerini dinledim. Mimari ve dekorasyon alan\u0131ndaki \u00f6\u011frenme yolculu\u011fum da i\u015fte b\u00f6yle bir \u00e7abayla \u015fekillendi” diyor G\u00fclman. \u0130STANBUL’UN B\u00dcY\u00dcS\u00dc KEMAL G\u00fclman’\u0131n Tarabya’daki evinin bah\u00e7esinde ve i\u00e7 mek\u00e2nlar\u0131nda S\u00fcleyman Saim Tekcan’dan Se\u00e7kin Pirime. Ebru Y\u0131lmaz \u00c7akmak tan Ahmet G\u00fcne\u015f ekinde kadar farkl\u0131 ak\u0131mlardan, farkl\u0131 sanat\u00e7\u0131lar\u0131n eserleri yer al\u0131yor. Be\u015f ku\u015fakt\u0131r \u0130stanbullu bir aileye mensup olan Kemal G\u00fclman, sanata tutkun bir insan i\u00e7in \u0130stanbul’un \u00e7ok ilham veren bir \u015fehir oldu\u011funu s\u00f6yl\u00fcyor. Bah\u00e7esindeki eser se\u00e7imlerinde, 19. y\u00fczy\u0131l ba\u015f\u0131 \u00e7e\u015fmelerinden duvar s\u00fcslerine kadar \u0130stanbul’un k\u00f6kl\u00fc k\u00fclt\u00fcrel zenginli\u011fini yans\u0131tan \u00e7ok fazla detay var. Evinde, \u00e7al\u0131\u015fma odas\u0131nda o\u011flu ve G\u00fclman Group Y\u00f6netim Kurulu Ba\u015fkan\u0131 Polat G\u00fclman’\u0131n hediyesi, \u0130stanbul grav\u00fcrleri kitab\u0131 ba\u015f k\u00f6\u015fede. Kemal G\u00fclman’\u0131n koleksiyonunda \u0130stanbul en \u00f6nemli temalardan biri. Belki de bu y\u00fczden \u0130stanbul ve sanat hakk\u0131nda s\u00f6yleyecek \u00e7ok s\u00f6z\u00fc var: “Ne kadar \u015fansl\u0131y\u0131z anl\u0131yor musunuz? D\u00fcnyada \u0130stanbul kadar sanata, sanat\u00e7\u0131ya ilham olmu\u015f ve olabilecek ba\u015fka bir \u015fehir sanat ne kadar hobi, ne kadar yat\u0131r\u0131m alan\u0131? (Kitaptan devamla) “Akl\u0131n\u0131za bu alan\u0131 ne kadar hobi ne kadar yat\u0131r\u0131m alan\u0131 olarak sahiplendi\u011fim sorusu gelebilir Gayet do\u011fal bir soru. Ben de ayn\u0131 do\u011fall\u0131k ve samimiyetle yan\u0131t vereyim. Evvela bu i\u015fe girince, bana g\u00f6re \u00f6nce be\u011fenmeniz gerekiyor. Kayda de\u011fer bir para vereceksiniz ve kar\u015f\u0131l\u0131\u011f\u0131nda ald\u0131\u011f\u0131n\u0131z eseri g\u00f6t\u00fcr\u00fcp ya\u015fad\u0131\u011f\u0131n\u0131z yere, evinizin duvar\u0131na asacaks\u0131n\u0131z. B\u00f6yle bir par\u00e7an\u0131n her \u015feyden \u00f6nce g\u00f6z\u00fcn\u00fcze hitap ediyor olmas\u0131 laz\u0131m. Ben de ne se\u00e7tiysem be\u011fenerek se\u00e7tim. Sonras\u0131nda elbette, gayet do\u011fal olarak maddi anlamda da de\u011ferinden kaybetmesini istemedim. H\u00e2l\u00e2 da istemem. Ama bunun \u00e7ok \u00f6yle size ba\u011fl\u0131 olmad\u0131\u011f\u0131n\u0131 da hat\u0131rlatmal\u0131y\u0131m.” oldu\u011funa inanm\u0131yorum. D\u00fcn de \u00f6yleydi, bug\u00fcnde… Bu \u015fehirde her \u015fey var; Do\u011fuda var Bat\u0131 da. \u015eatafat davar sefalet de. Ye\u015filde var beton da. \u0130syan da var itaat de. 1800’lerin sonunu d\u00fc\u015f\u00fcn\u00fcn, Bat\u0131’n\u0131n en \u00f6nemli resim salonlar\u0131 Pera’da a\u00e7\u0131l\u0131yor. Bat\u0131l\u0131 ressamlar, mimarlar saray taraf\u0131ndan himaye ediliyor. Bir taraf\u0131m\u0131z y\u0131k\u0131l\u0131yor, di\u011fer taraf\u0131m\u0131z sanatla ye\u015feriyor. \u015eehir o kadar g\u00fczel, o kadar b\u00fcy\u00fck ve o kadar \u00e7ok k\u00fclt\u00fcrl\u00fc ki… Sanat\u0131 besleyen damarlardan yana \u00e7ok \u015fansl\u0131, \u00e7\u00fcnk\u00fc z\u0131tl\u0131klar\u0131n \u015fehri. \u0130stanbul temal\u0131 eserler \u00f6zellikle \u00e7ok ilgimi \u00e7ekiyor, heyecan duyuyorum, daha fazla sahipleniyorum…” \u015eEHR\u0130N K\u00d6KL\u00dc M\u0130RASINA SAYGI 71 YILLIK i\u015f ya\u015fam\u0131n\u0131n her d\u00f6neminde, yabanc\u0131 i\u015f ortaklar\u0131yla \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131 vurgulayan Kemal G\u00fclman; \u015fimdi vaktinin \u00f6nemli bir b\u00f6l\u00fcm\u00fcn\u00fc Tarabya’daki bu evde ge\u00e7iriyor. Ofis olarak da kulland\u0131\u011f\u0131 k\u0131\u015f bah\u00e7esinde d\u00fcnyan\u0131n farkl\u0131 milletlerinden misafirlerim de a\u011f\u0131rlayan G\u00fclman, “Art\u0131k i\u015flerin ba\u015f\u0131nda o\u011flum Polat var, \u00e7ok da ba\u015far\u0131yla yol al\u0131yor. Ben ise tecr\u00fcbemle, fikirlerimle ona e\u015flik etmeye, katk\u0131 sunmaya \u00e7al\u0131\u015f\u0131yorum. Bu yar\u0131 emeklilik d\u00f6neminde burada huzur buluyorum. Okumak, dinlenmek ve \u00e7al\u0131\u015fmak i\u00e7in harika bir ortamday\u0131m. Misafirlerimi de ofis yerine daha \u00e7ok burada a\u011f\u0131rl\u0131yorum. Bu ortam\u0131, d\u00fcnyan\u0131n en g\u00fczel \u015fehri \u0130stanbul’a bir sayg\u0131 mek\u00e2n\u0131 olarak tasarlad\u0131m. Bu kadim \u015fehrin k\u00fclt\u00fcrel zenginli\u011fi, ku\u015faktan ku\u015fa\u011fa devretti\u011fi k\u00fclt\u00fcrel miras\u0131n\u0131 \u00e7ok \u00f6nemsiyorum. Bir nebze de olsa sanatsal tercihlerimle bu havay\u0131 gelen herkese ve elbette aileme, \u00e7ocuklar\u0131ma ve her \u015feyden \u00e7ok sevdi\u011fim torunlar\u0131ma solutmak amac\u0131nday\u0131m” diyor. Sanata dair fikirlerinin \u015fekillenmesinde, yak\u0131n dostlar\u0131yla yapt\u0131\u011f\u0131 isti\u015farelerin de \u00f6nemli katk\u0131s\u0131 oldu\u011funu s\u00f6yl\u00fcyor Kemal G\u00fclman. “Arkada\u015f toplant\u0131lar\u0131, seyahatler sanattaki ak\u0131mlar\u0131, yeni sanat\u00e7\u0131lar\u0131, yeni mek\u00e2nlar\u0131 duymak \u00f6\u011frenmek a\u00e7\u0131s\u0131ndan son derece faydaland\u0131\u011f\u0131m f\u0131rsatlar olmu\u015ftur” derken, s\u00f6z\u00fc rahmetli Sak\u0131p Sabanc\u0131’ya getiriyor. Sabanc\u0131lar, G\u00fcney Fransa’da yapt\u0131klar\u0131 unutulmaz tatilleri an\u0131msatan G\u00fclman; “Sak\u0131p A\u011fa \u00e7ok de\u011fi\u015fik, nevi \u015fahs\u0131na m\u00fcnhas\u0131r bir insand\u0131. \u00c7ok dikkatliydi ve g\u00f6z\u00fc \u00e7ok iyiydi. Birlikte \u00e7ok galeri dola\u015ft\u0131k, \u00e7ok m\u00fcze, sanat k\u00f6y\u00fc gezdik. Tercihlerimizin ayr\u0131\u015ft\u0131\u011f\u0131 ve birle\u015fti\u011fi oluyordu ama o bana ben ona \u00e7ok fazla dan\u0131\u015f\u0131yorduk. Piyasay\u0131 iyi bilirdi ben de pazarl\u0131kta iyiydim. \u015eimdi evimdeki pek \u00e7ok par\u00e7aya bakt\u0131\u011f\u0131mda, sevgili Sak\u0131p Bey ile ortak sohbetlerimizi, hat\u0131ralar\u0131m\u0131z\u0131 an\u0131ms\u0131yorum; bu da bana b\u00fcy\u00fck bir mutluluk veriyor” diyor. SANAT \u0130Y\u0130D\u0130R, SANAT UMUTTUR KEMAL Bey’in ya\u015fam felsefesinde g\u00fclmek ve pozitif bak\u0131\u015f en birinci s\u0131rada yer al\u0131yor. Bu meseleyi, atalar\u0131na, bu soyad\u0131n\u0131 kendilerine lay\u0131k g\u00f6ren babas\u0131, gazeteci Lemi G\u00fclman’a bir sayg\u0131 meselesi olarak da g\u00f6r\u00fcyor. Babas\u0131 Lemi G\u00fclman, uzun y\u0131llar Son S\u00f6z Gazetesi’nde yazar ve idareci olarak \u00e7al\u0131\u015fm\u0131\u015f. Son derece m\u00fclayim, iyi huylu bir insanm\u0131\u015f. Soyad\u0131 se\u00e7imini \u015f\u00f6yle anlatm\u0131\u015f o\u011flu Kemal’e: “\u00c7ocuklar\u0131m, torunlar\u0131m hep g\u00fcls\u00fcn diye… G\u00fclmeyi unutmas\u0131nlar, hayat \u015fartlar\u0131 ne getirirse getirsin g\u00fclmeyi bir vazife olarak g\u00f6rs\u00fcnler diye bizim soyad\u0131m\u0131z G\u00fclman’d\u0131r…” Bug\u00fcn eskisi kadar olmasa da h\u00e2l\u00e2 i\u015fleri takip ediyor. Sanatla ilgileniyor, sanat\u0131n iyile\u015ftiren g\u00fcc\u00fcne y\u00fcrekten inan\u0131yor. Sohbetimizi onun \u015fu s\u00f6zleriyle bitiriyoruz: “Bu ya\u015f\u0131mda benim i\u00e7in en k\u0131ymetli k\u00e2\u011f\u0131t, m\u00fcze bileti. En g\u00fczel rota, sanat k\u00f6yleri. Yeni tan\u0131\u015ft\u0131\u011f\u0131m sanat\u00e7\u0131larla sohbetlerim, kar\u015f\u0131l\u0131kl\u0131 dostlu\u011fumuz ise paha bi\u00e7ilmez mutluluk…”<\/div>\n
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D\u0131\u015f ticarete 70 y\u0131l ‘ak\u0131l hocal\u0131\u011f\u0131’ yapt\u0131 ‘derin’ deneyimlerini kitapla\u015ft\u0131rd\u0131<\/strong><\/div>\n
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Bug\u00fcn tek tu\u015fla neler neler halledebiliyoruz de\u011fil mi? Teknolojinin getirileri, \u00f6rne\u011fin d\u0131\u015f ticaret i\u015flemlerinde hayat\u0131m\u0131z\u0131 ne \u00e7ok kolayla\u015ft\u0131r\u0131yor. 1950’lerde \u00f6yle miydi oysa? l’den 99’a kadar listelenmi\u015f g\u00fcmr\u00fck tarifelerinin yaz\u0131l\u0131 oldu\u011fu siyah bir kitap vard\u0131 \u00f6rne\u011fin. Ezberlenmesi gereken. G\u00fcmr\u00fckler, lisanslar, kambiyo i\u015flemleri, d\u00f6viz k\u0131s\u0131tlamalar\u0131, akreditasyonlar, teminatlar, binbir t\u00fcrl\u00fc kurallar, ilk nesil makinalarla yap ilan hesaplamalar derken, i\u00e7inden \u00e7\u0131k\u0131lmas\u0131 zor i\u015fti d\u0131\u015f ticaret. 0 tarihlerde bu zor i\u015fi, i\u015f edinen Kemal G\u00fclman, 70 y\u0131l\u0131 a\u015fk\u0131n s\u00fcredir ithalat rejiminin deyim yerinde ise ‘ak\u0131l hocas\u0131’ olmu\u015f. Otobiyografi kitab\u0131 \u0130\u015f’ten Hik\u00e2yeler’den \u00f6\u011freniyoruz ki Kemal G\u00fclman, ithalat a\u011f\u0131rl\u0131kl\u0131 y\u00fcr\u00fctt\u00fc\u011f\u00fc uzun i\u015f ya\u015fam\u0131na 16 ya\u015f\u0131nda Tahtakale’de ba\u015fl\u0131yor. E ser, G\u00fclman’\u0131n ana i\u015f alan\u0131 d\u0131\u015f ticarette att\u0131\u011f\u0131 ad\u0131mlar \u00fczerinden ayn\u0131 zamanda bir d\u00f6nem kitab\u0131 olarak da g\u00f6r\u00fclmeyi hak ediyor. Dola\u015fa dola\u015fa arad\u0131\u011f\u0131m yaz\u0131haneyi Tahtakale’de k\u00fc\u00e7\u00fcc\u00fck bir odac\u0131k olarak buldum. Gittim, bir tabelan\u0131n \u00fczerine koca koca ‘Kemal G\u00fclman M\u00fcessesesi’ yazd\u0131rd\u0131m. Yurt d\u0131\u015f\u0131ndan \u00fcr\u00fcn getirmek isteyip de daha \u00f6nce bu i\u015fe girmeyenler, bir denemek isteyip de cesaret edemeyenler bizim yaz\u0131haneye geliyordu. Ben ne mi yap\u0131yordum? Y\u00fczde 10 k\u00e2r\u0131m\u0131 garanti etti\u011fim, mevzuata ayk\u0131r\u0131 olmayan, g\u00fcmr\u00fckte kar\u015f\u0131l\u0131\u011f\u0131 olan her i\u015fe bak\u0131yordum. ‘\u0130\u015e’TENH\u0130KAYELER, Kemal G\u00fclman, G\u00fclman Group TAHTAKALE ‘yi hemen hepimiz biliriz de\u011fil mi? Ticaret erbab\u0131 olmam\u0131za gerek yok; yolumuz d\u00fc\u015fmese de \u0130stanbul’da ya\u015famasak dahi, ad\u0131n\u0131 duymu\u015flu\u011fumuz muhakkak vard\u0131r. Tarihi yar\u0131madada daha \u00e7ok M\u00fcsl\u00fcman ticarethane sahiplerinin bulundu\u011fu Emin\u00f6n\u00fc b\u00f6lgesindedir. Kendisi kadar me\u015fhur, Sultanhamam, Mahmutpa\u015fa, Mercan ile birlikte ticari ya\u015fam\u0131n simge mahallelerindendir.l980Tere kadar d\u00f6viz al\u0131m sat\u0131m\u0131n\u0131n merkeziydi, Tahtakale Borsas\u0131 olarak da \u00fcnlendi. G\u00fcn\u00fcm\u00fczde ana caddesinden, en dar sokaklar\u0131na kadar t\u0131kl\u0131m t\u0131k\u0131\u015f i\u015fletmelerde her t\u00fcrl\u00fc \u00fcr\u00fcn sat\u0131\u015fa sunuluyor. B\u00fcy\u00fck ithalat i\u015flemleri de d\u00f6n\u00fcyor piyasas\u0131nda, k\u00fc\u00e7\u00fck bir el aleti almak isteyen vatanda\u015f da u\u011fruyor d\u00fckk\u00e2nlara. \u0130stanbul tarihinde \u00f6nemli bir yeri vard\u0131r Tahtakale’nin. Ad\u0131n\u0131 da zaten tahtadan in\u015fa edilmi\u015f kalenin varl\u0131\u011f\u0131ndan al\u0131r. Ticaretin her d\u00f6nem \u00e7ekim merkeziydi. Daha \u00e7ok d\u0131\u015f ticarete yatk\u0131n esnaf k\u00fcmelendi. Bu a\u00e7\u0131dan \u00f6zel sekt\u00f6r\u00fcn \u00f6ne \u00e7\u0131kt\u0131\u011f\u0131, sanayinin \u00e7e\u015fitlenmesinden dolay\u0131 \u00e7ok\u00e7a ara mamule ihtiya\u00e7 duyuldu\u011fu 50Ti y\u0131llardan itibaren \u00f6nemi daha da artt\u0131. Biliyorsunuz, ‘M\u0131s\u0131r \u00c7ar\u015f\u0131s\u0131’ndan yeti\u015fti, Kapal\u0131\u00e7ar\u015f\u0131 esnaf\u0131yd\u0131, Sultanhamam’dan do\u011fdu gibi tabirler \u00e7ok\u00e7a yap\u0131l\u0131r tan\u0131nm\u0131\u015f i\u015f insanlar\u0131na. Karde\u015f mahallelerde, ticaret noktalar\u0131nda oldu\u011fu gibi Tahtakale’nin b\u00fcnyesinden de \u00e7ok i\u015f insan\u0131 yeti\u015fti. Havas\u0131n\u0131 soluyan, suyunu i\u00e7en say\u0131s\u0131z giri\u015fimci aras\u0131ndan s\u0131yr\u0131larak i\u015flerini b\u00fcy\u00fcten i\u015f insanlar\u0131 i\u00e7inde Kemal G\u00fclman da yer ald\u0131. G\u00fclman Group kurucusu Kemal G\u00fclman, k\u00f6kleri \u0130spanya’ya uzanan ailesinin Balat’ta do\u011fan ferdi olarak 16 ya\u015f\u0131nda ad\u0131m at\u0131yor Tahtakale’ye. 1940’larm sonlar\u0131… Gen\u00e7 G\u00fclman’\u0131n ilk i\u015fi, \u00e7\u0131rakl\u0131\u011f\u0131 diyelim, matbaa ve bask\u0131 makineleri satan bir firmada ba\u015fl\u0131yor.<\/div>\n
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Gazetelere ve matbaalara hitap eden makinalar Avrupa’dan getiriliyor. Yani ithalat\u00e7\u0131 ilk i\u015fyeri. \u00d6nceleri getir-g\u00f6t\u00fcr i\u015fleri yapan, ilk nesil fotokopi makinalar\u0131n\u0131n ba\u015f\u0131nda duran G\u00fclman, i\u015fletme i\u00e7inde y\u00fcr\u00fct\u00fclen g\u00f6r\u00fc\u015fmeleri yak\u0131ndan takip ediyor. Neler konu\u015fuluyor, hangi i\u015fler planl\u0131yor ve hepsinden \u00f6nemlisi bu ticaretin mevzuat k\u0131sm\u0131 ilgisini \u00e7ekiyor G\u00fclman’\u0131n. Bu ilgi, zamanla uzmanl\u0131\u011fa, kendi i\u015fini kurmaya uzan\u0131yor. D\u00fcnyan\u0131n her taraf\u0131ndan ithal \u00fcr\u00fcn getiriyor Kemal G\u00fclman. Ne bulursa, memlekette neye ihtiya\u00e7 varsa, temsilcili\u011fini als\u0131n almas\u0131n, hangi firma ile anla\u015ft\u0131ysa sat\u0131n al\u0131p T\u00fcrkiye’ye getirdi\u011fi mallar, end\u00fcstrilere ila\u00e7 gibi geliyor. Yan\u0131 s\u0131ra nihai \u00fcr\u00fcn de getiriyor. Bir milyon spor ayakkab\u0131 getiriyor \u00f6rne\u011fin. \u00dcr\u00fcn\u00fcn kral oldu\u011fu d\u00f6nemler… D\u0131\u015f ticaret alan\u0131nda uzmanla\u015fan Kemal G\u00fclman, d\u00f6nem d\u00f6nem sanayiye ad\u0131m atsa da, ortakl\u0131klar kurarak farkl\u0131 alanlarda faaliyet y\u00fcr\u00fctse de ticareti, en \u00e7ok da d\u0131\u015f ticareti seviyor. G\u00fcmr\u00fck mevzuat\u0131nda uzmanla\u015f\u0131yor. Tarifeleri eksiksiz ezberliyor. \u0130lgili yay\u0131nlar\u0131 tek tek okuyor, en \u00e7ok da g\u00fcmr\u00fck tarifelerinin yazd\u0131 oldu\u011fu siyah kitab\u0131. Merkez Bankas\u0131 lisanslar\u0131, kambiyo i\u015flemleri, d\u00f6viz giri\u015f \u00e7\u0131k\u0131\u015flar\u0131, akreditasyonlar, teminatlar, kurallar, kaideler tek tek zihnine yerle\u015fiyor G\u00fclman’\u0131n. Zamanla \u00f6yle bir hale geliyor ki g\u00fcmr\u00fckle ilgili i\u015fi olan Kemal G\u00fclman’\u0131 buluyor. Alan\u0131nda ak\u0131l dan\u0131\u015f\u0131lan nerede ise d\u00f6neminin tek adresi oluyor. Hatta, yaln\u0131zca d\u0131\u015f ticaret i\u015fi olan firma temsilcilerine de\u011fil, g\u00fcmr\u00fck memurlar\u0131na, Ankara’daki ilgili dairelere de yol yordam g\u00f6steriyor G\u00fclman. Yukar\u0131daki sat\u0131rlar i\u00e7in bug\u00fcn, ithalattan, gayrimenkul geli\u015ftirmeye, yenilebilir enerjiden giri\u015fim sermayesi yat\u0131r\u0131mlar\u0131na kadar de\u011fi\u015fik alanlarda faaliyet y\u00fcr\u00fcten G\u00fclman Group’un kurucusunun hayat hik\u00e2yesinin kendi a\u011fz\u0131ndan aktard\u0131\u011f\u0131 \u0130\u015ften Hik\u00e2yeler’-Tecr\u00fcbelerim, Tavsiyelerim ad\u0131n\u0131 ta\u015f\u0131yan kitab\u0131mdan yararland\u0131m.<\/div>\n
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\u0130\u015f insan\u0131 Kemal G\u00fclman’\u0131n an\u0131lar\u0131n\u0131 anlatt\u0131\u011f\u0131 kitab\u0131 “\u0130\u015f’ten Hik\u00e2yeler”, 90 y\u0131la s\u0131\u011fd\u0131r\u0131lm\u0131\u015f onlarca ba\u015far\u0131n\u0131n d\u00f6n\u00fcm noktalar\u0131na g\u00f6t\u00fcr\u00fcyor okurunu. \u00c7ocuklu\u011fundan ba\u015flayarak hayat\u0131n\u0131n \u00f6nemli olaylar\u0131m kaleme ald\u0131\u011f\u0131 an\u0131 kitab\u0131, gen\u00e7lere \u00f6nemli tavsiyeler veriyor. Hep merakl\u0131 olun, ne i\u015f yaparsan\u0131z yap\u0131n, g\u00f6zlem yap\u0131n, \u00e7evrenizi inceleyin, sorun, \u00f6\u011frenin’ diyor G\u00fclman. Ayn\u0131 anda birden fazla projeyle ilgilenmeyi i\u015f d\u00fcsturlar\u0131 aras\u0131nda sayan Kemal G\u00fclman, kitab\u0131n\u0131 hep sevdi\u011fi soyad\u0131ma at\u0131f yaparak, “G\u00fclmek bir tercihtir, g\u00fclmekten vazge\u00e7meyin, g\u00fclmeyenin \u015fans\u0131 g\u00fclmez” s\u00f6zleriyle bitiriyor.<\/div>","protected":false},"excerpt":{"rendered":"

SANAT HEP B\u0130R BA\u015eKA KAPIYI A\u00c7AN YOLCULUKTUR Evvelden Tepeba\u015f\u0131 ‘nda Etap Oteli vard\u0131 ve bu o telin arkas\u0131ndaki sokaklarda \u0130stanbul’un en me\u015fhur antika d\u00fckk\u00e2nlar\u0131 s\u0131ralan\u0131yordu. Hat\u0131rl\u0131yorum, i\u015fyerinde \u00f6\u011flen yeme\u011fini yedikten sonraher vakit buldu\u011fumda bu d\u00fckk\u00e2nlara girer \u00e7\u0131kar, antikerlerle sohbet eder, i\u00e7eride te\u015fhir edilen objeleri incelerdim. Zamanlaher hafta eve yeni birpar\u00e7ayla gider olmu\u015ftum. G\u00fcm\u00fc\u015f \u015famdanlar, tombaklar, […]<\/p>\n","protected":false},"author":39,"featured_media":19760,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[766,765,71],"tags":[],"class_list":["post-19759","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anasayfa-haberleri","category-basin-odasi","category-genel-en"],"yoast_head":"\nG\u00fclman Group | 2024 \u015eubat, Kitap K\u00fclt\u00fcr Ya\u015fam Dergisi<\/title>\n<meta name=\"description\" content=\"Kitap K\u00fclt\u00fcr Ya\u015fam Dergisi \u015eubat 2024\u2019te Kemal G\u00fclman, i\u015f hayat\u0131, sanat tutkusu ve deneyimlerini anlatarak gen\u00e7 giri\u015fimcilere ilham veriyor.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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